It’s Academy Awards week.
But excuse me if I don’t walk around whistling “Hooray
for Hollywood.”
In my somewhat jaded view, the Oscars is a shameless
group hug on the part of the movie industry for producing a handful of notable
films amid the hundreds of clunkers that
befoul the screen each year.
Think of it: The same folks who brought us
“Casablanca” and “The Godfather” also subjected us to “Batman and Robin” (characterized by one critic as “not
the worst movie ever. No, indeed. It's the worst thing ever. Yes, it's the
single worst thing that we as human beings have ever produced in recorded
history”) and “The Hottie and the
Nottie,” a film described as “crass, shrill, disingenuous, tawdry,
mean-spirited, vulgar, idiotic, boring, slapdash, half-assed, and very, very
unfunny."
All that and Paris Hilton as the star.
It’s also a night when the entertainment profession,
which has had a few thousand years to practice putting on a really good show,
rolls out a spectacle that often falls to the level of an elementary school
Thanksgiving pageant.
Then they’ll cap it off by picking “The Sound of
Music” over “Doctor Zhivago” for best picture or “Forest Gump” over “The
Shawshank Redemption.”
So I’ll curl up with a good book which will allow me
to ignore the rambling, incomprehensible acceptance speeches made by winners
who do their best acting by appearing surprised and humbled.
I’ll also miss an evening of air kisses and
disingenuous platitudes in a ceremony that conveys all the warmth and emotion
of a Walmart colonoscopy.
But wait, it may get worse.
This year’s ceremonies will be awash in enough
anti-Trump commentary to resemble open mike night at a Democratic Party beer
bust.
Want to play a drinking game? Down a shot every time a winner doesn’t
mention Trump or his policies. You’ll be
stone cold sober at the end of the evening.
I’m certainly not advocating a gag rule for our show
biz friends. It wouldn’t work even if you tried.
Give an actor a microphone, put he or she in front of
a glamorous audience of like-minded celebrities while untold millions watch on
TV, and you’re going to get some scenery chewing.
That’s why Meryl Streep has received as much notoriety
for her award show rants, specifically her Trump bashing at the Golden Globes
ceremony, as she has for her considerable acting ability.
In Hollywood, you’re only as good as you’re last
performance, scripted or otherwise.
And if Meryl Streep or Daffy Duck or whoever wants
their public to know exactly Where They Stand, nobody is going to stop them.
But there’s some thin ice here. The Oscar telecast isn’t exactly knocking the
socks off the American TV audience. Last
year’s Oscars finished with the third-lowest viewership in the show's history.
And as Aaron Blake pointed out in the Washington Post:
“There are basically two camps right now on
ever-partisan social media: Those who think Meryl Streep's speech…criticizing
President-elect Donald Trump at the Golden Globes was great, and those who
think this kind of thing is basically Why Donald Trump Won — i.e., elite
Hollywood liberals going after the guy blue-collar voters chose to be their
president.”
Speaking of rants, there’s one other thing.
Several years ago I conceived and published a
sure-fire formula for presenting the awards in a reasonable amount of time. I
never heard back from the Academy so, on the off chance their congratulatory and
heartfelt letter to me got lost in the mail, here are my suggestions, free of
charge:
First, cut the show to two hours. Period. Start by
limiting the acceptance speeches to the top categories: actor, actress,
director and best movie. Nobody wants to hear the third assistant production
designer thank his accountant.
Forget the documentary short, the short film or any
other category with the word “short” in it. Dump the sound editing award.
Nobody understands what it is anyway.
Get rid of makeup and hairstyling. As one wag once
wrote when “Driving Miss Daisy” won in this category, it was only noteworthy if
“Jessica Tandy was in fact 20 years old and Morgan Freeman was actually white.”
Next, get a host who is witty but won’t spend an
inordinate amount of time trying to extract laughs from an audience that didn’t
come to see him or her.
Dump the dance numbers. If I want to see dance, I’ll
go to the ballet.
Cut the number of best picture nominees back to five.
Ten dilutes the value of a nomination. And adds to the insufferable length of
the broadcast.
Do this and I might just tune in.
Robert Rector is a veteran of 50 years in
print journalism. He has worked at the San Francisco Examiner, Los Angeles
Herald Examiner, Valley News, Los Angeles Times and Pasadena Star-News. His
columns can be found at Robert-Rector@Blogspot.Com.
Follow him on Twitter at @robertrector1.